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STEWART We opened with the blockbuster Hayao Miyazaki exhibition, and so folks who were clearly die-hard Miyazaki fans came from all over to see that exhibition. We’re hoping now, as COVID slowly eases up a little bit, that we get even more international visitors. In a COVID environment, we were a place to visit when people were a little bit hesitant to fly anywhere. So that statistic really means a lot to us.ĬONNELL Also, a lot of our visitors were from the greater Los Angeles area. We want to educate the next generations of film viewers as well. It’s part of our mission to try to inspire the next generation of filmmakers. If you look at comparable demographics from other museums, they skew older. STEWART We were really pleased to see that half of the visitors who came to us in this first year were under the age of 40. So it’s really a testament to the built-up excitement that people had for our opening. We were doing timed ticketing in the galleries and really trying to be mindful of numbers so that people could socially distance. We were doing half capacity in our theaters through the spring.

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That’s bearing in mind that we were not selling tickets at full capacity part of the year. STEWART Seven hundred thousand tickets opening year - it’s just phenomenal. How did attendance compare to your expectations? We launched galleries, a cinematheque, a store, an event space, a publishing business.

All of our energy was focused on opening this huge institution, and then it was like, “OK, and now we’re open seven days a week.”īRENDAN CONNELL JR. Then there’s that hold on their faces, like, “And now what do we do?” It was kind of like that. He disrupts the wedding, they get on the bus. We have a clip in the gallery of that closing moment in The Graduate. JACQUELINE STEWART I would say that we’ve been running a marathon at sprint pace. about the institution’s surprising visitor demographics, their response to the critique that the museum lacks Jewish representation and how their goal to lure the “film-curious” inside their doors is working out.ĭid this year feel like a marathon or a sprint? On the occasion of the museum’s one-year anniversary, THR spoke with Academy Museum director Jacqueline Stewart (who ascended to the position in July after serving as its head artistic and programming officer) and chief operating officer Brendan Connell Jr. Inside the Academy Celebration Honoring Sacheen Littlefeather, 50 Years in the Making: 'Tonight Is Her Vision of the Path Forward'

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